Sunday, 15 December 2013

End of year round up - a seasonal post.

It's that time again, soon this year will turn into something new and uncharted - 2014. Is it just me or did 2013 seem to pass quicker than any before it? I think personally it's because I've been too darn busy - hence the over long gap before returning to the world of blog. I'll make a commitment here and now to take more time out for personal writing projects in the new year. We all have to create a space, somehow, amid all of our busyness, and writing is my very necessary escape. All summer long I've been jotting down ideas, a line here, a thought there and now it's time to unravel them - to pick up the thread again that leads me back here, to myself.....

It Matters



It matters to me


This isn't wrong


It’s not a crime


The stunted bough


The twisted rhyme






Celestial Fall




I did wish upon a shooting star


In its celestial fall


Hoped my love would unlock you


My prayers provide the key




My heart did burn in solitude


As it arced across your sky


Although worn upon these sleeves of mine


You never batted eye




Lost moments sincerely spent


Now darkness has returned


Mute silence blankets everything


All trace of where we burned


It's been a good, if steady year on the performing front and I've enjoyed the opportunities that have come my way, courtesy in particular of Colchester Poetry.  I was fortunate enough to do three months worth of sequential performances at Open Mike nights for September, October and November, plus a couple of performances earlier in the year and an appearance at the Sunday Matinee in January. There was also the Festival at the Hythe, Colchester, in the summer, so not too bad I think. My sincere thanks to all concerned in organising these events and giving chances to folk to have their moment.

All the Things



All those words I’d written for you


One final touch, a misplaced stroke


And everything is lost


A page full of empty space remains


Lilly white, like a coward’s heart


Elusive tender moments


Brimming with all the things


I never said



So has the desire, the passion for writing diminished in these fallow months? Not at all! How can it when it is something I love doing and so value sharing? These pieces posted tonight are all new, the first harvest of summers thoughts. I hope you are enjoying them.


Galatea



I carry a personal Galatea


In my mind



Pure psychology


She oozes like beeswax




Love and erotica


Melting in my undecided flame





Raven and Dove



Spread eagled on a moment


The emboldened tongue


Exposes hidden form




Love uncoils


In strange new ways


Gifting pleasure storm




Fire meets ice


A heartbeat - missed


The raven and the dove




Falling helpless


In surrender


On the outer lips of love




Erased



Hollow heart, running loose


I’m just like a frightened deer


But if I were a preacher man


Bold - I’d entreaty God for you!




With a useless broken antler


Snapped at rutting time


On a hill, I’m straining upwards


Towards Artermis’ shrine




I never meant to hurt you


Though my aim was straight and true


The gods have made my choices


They dictate from depth of void



Colour turns to black and white


And I struggle to recall


Why on earth I wait here


Set for a bruising fall



I hope that you are happy


Beyond the touch of man


I’ll erase my thoughts, forget you


In every way I can





The Holy Grail



Of love and stone I speak


One dances like a moth drawn to a flame


The other broods, unyielding, brute




One is passionate, fleeting, delicate


Until the holy-grail is reached


And it fails, beating frail wings


The other enduring, faceless, mute




Removed from the fire dull and cooled


Merely exists in splendid isolation


One burns with all urgency


The other drains and chills



Which I ask myself were you?


As I roam desolation's hills


Kernel



Fluttering against the glass


Still he beats his wings


After long and fallow years


On the outside looking in





A lonely, frightened mocking bird


With gold dust on his tongue


Carrying the burden of


An imagined Midas touch





So much to say, so little time


He would sing for you


Bring precious stones, a holly wreath


Things borrowed, old and blue





It’s cold out on the margin


The farthest edge of time


In deepest dark the brightest stars


Gleam in solitude divine






Within this darkest hour


A kernel only night can bring


He awaits the cusp of sunrise


When he’ll catch your eye and sing


I'd like to thank everyone whom I have shared the writing journey with so far, everyone who has taken time out to read Ariadne's Thread. I wish you all a very happy and prosperous 2014!


Proximity



Sleep walking the halls of sadness


I wrote this for a heart like mine


Though none abounds


And time abhors my ethereal ways….





To what shall I compare her?


All my words are but the guttural


Aping the divine


My striving the profane to the profound


And to know her, how?





To roll back time and take her hand


In mine, would be a splendid thing


And together walk a path so intimate


Surely, to miss its proximity, a crime?





To experience every leaf and flower


Watch each heavy pollen laden bee


Upon a bloom’s explosion feed


All confirms creation's glory




I but mere and flawed can scarce conceive….


To know her, how?


Except through the Ariadne’s thread


Of words she's left behind


Leading me by the heart


Toward her light sublime




Mark Harris has asserted his right under
Section 77 of the Copyright, Designs and Patents Act 1988
To be identified as the author of this work.

Monday, 16 September 2013

Update w/c 15/09/13

I didn't realise when I returned to the blog that it had been over three months since my last update. It's been a busy summer and seems to have flown by faster than any I can remember but at least this year we had a summer with some glorious hot days! I have also returned to the poetry. Although there has been some note scribbling and idea collecting there really hasn't been time to write a great deal, although I did write a series of sketches for St John's Church, Colchester based on the Epistles of St Paul which were quite a challenge and something very different to be asked to do.

There's nothing like a live performance to re-focus energy however! I was lucky enough to get a slot at "The Waiting Room" a new venue for the arts in Colchester that I wish every success for the future. It's early days but there are good things planned. The evening itself was very enjoyable with several local performers including comedy, poets and musicians and no two alike so great variety as well! I would like to thank Colchester Poetry and James Sarek in particular for organising the Open Mike.

My own writing has revolved around a re-appraisal of some older efforts, The "Body Curio" in particular coming under renewed scrutiny and in places a thorough re-write where I felt the material needed strengthening. The challenge has been to keep the "feel" of the original whilst improving it. The relevant page has been updated with samples from the piece so you can judge for yourself whether the process has been a success.

One new poem that got it's first outing on Saturday 14th Sept. follows, called "Maple Leaves" I hope it is suitably evocative of Autumn.....

Maple Leaves

She loosened the band and her hair fell
Like a red waterfall
Like fire tumbling over her shoulders

She loosened the band and her hair fell
Unfettered across the curve of her neck

And she flicked her head
Her fiery hair describing an arc
Like an autumnal goddess

Her hair, red as a maple leaf
Promising the open skies of the wilderness
Her eyes as deep as the forest

She loosened the band and her hair fell
Wild and untamed
And I raised my head and howled to the moon

In that moment my heart ran free
Through the ancient forest
Through carpets of fallen leaves

In the moment she loosened the band
And her hair fell

I also include another re-write from the "Body Curio" that formed part of Saturday's performance.
Unconsciously You
Perhaps you took pity on me, sensing my need
And deigned to show me the manifold wonders of love
The height, breadth and depth of sublime womanhood

I tasted sunshine in your smile, saw beauty in your eyes
Day and night you were always on my mind
Unknown pleasures soared within my heart like birds

Forming a facsimile from the clay of love
Unconsciously needing someone to worship and adore
I worked an errant likeness with childlike thoughts

Gently I smoothed every inch of its skin
Faithfully captured every curve and detail
Reproduced every rise and fall of your breast

I made more of you than drab reality
Birthed a deity from the pearl of desire
It rose like Venus from the clamshell of my heart

Your likeness beguiled me, promising perfection
I couldn’t live without the hope my idol brought
Mine the age old error of loving what I’d wrought

Time and time again I threw exhausted arms
Around the unyielding torso of my goddess
With tear soaked kisses begged you to awaken and replace it…..


I hope you have enjoyed the update (and I'll try not not leave it so long next time), hopefully see you at an Open Mike or local event soon!

Kind regards
Mark


Mark Harris has asserted his right under
Section 77 of the Copyright, Designs and Patents Act 1988
To be identified as the author of this work.

Tuesday, 4 June 2013

Much ado about something

Hi all! Inbetween exam preparation I've been lucky enough to do a couple of live sets at The Hythe to Port Festival and Firstsite Colchester and I must thank Tess Gardener of SKOPT & Col Po fame for the former and James Sarek of Col Po fame for the latter. Thanks both for the opportunities! I've really tried hard to up the ante with live work and the material is so heartfelt it seems to come accross from the feedback I've had. I'd welcome comments as ever. The Circles project has been a bit of a watershed in so far as I'll take time out from the usual source material for my work and try to do something a bit different for the next project "Auto Pathology".  It's been on the back burner for a long while and now seems the time to complete a thorough examination of my and those around me's relationship with all things medical. It's a long story but hopefully it will all make sense, so from witch doctors to councelling via psychology here goes! Meanwhile I continue to "fine tune" Circles but it's certainly ready for it's own page on the blog. I have added some material from the same and hope you like it. This Saturday sees another opportunity for live work at a fund raiser for the "Lightbulb Festival of the Arts"  which will take place in Colchester from July 11th to 14th. Please, please back this if you can. Better still come along to 15 Queen St, Colchester from 7pm onwards to see some great acts strutt their stuff! I'll sign off now but do please look to the "Circles" page link to get a flavour of what the last nine months have been about in Mark (poetry) world! See you at an event nearby soon!

Wednesday, 24 April 2013

Update W/C. 24/04/13

Sorry its been so long but pressures of study and other commitments have dominated, the good news is we're nearing the end of the academic year so there will soon be time for more regular poetry ramblings!    All has not been quiet however and I'm pleased to say a very big thank you to Colchester Poetry for the recent open mike on 13/04/13 where I was able to vent regarding the topic of bullying, which is a real bug-bear of mine. I'm passionately against the strong (usually backed up by several cohorts) picking on the weak and I am very grateful for the positive feedback I received on the night. I was quite undecided about whether I should go for it or not and I'm glad I did. The "Circles" project is in its final stages (I promise) and will be finished soon. I thought to add the poems I performed on the 13th of April here. I promise that everything in "Comprehensive Indeed" is true, it contains strong language (for me anyhow) so I've posted it last in the latest entry. The poem is from my first offering "Minutiae" from 2010. I've included "Daughter of the Beat" my peon to Jan Kerouac, daughter of Jack Kerouac founder member of the beat poet movement and "Rear View" which is dedicated to one of the more difficult life moments I've endured. Both are part of "Circles". As ever I'll be grateful of your feedback and comments and I sincerely hope to catch up with you at a poetry event soon.....

Kind regards
Mark

Daughter of the Beat

At first, like everyone we ever see, she’s an image, an assumption
Gazing from the page at me, from a time before I’d even heard
Her name, let alone stood on the cusp of these innermost thoughts
Lain bare as words for all to read.

I know my walk in this garden of candid prose will be unique
Seeking more than others seek, I'm following a path that’s
Mine to find, revelations from between the lines leading to
Appreciation.

On the day the photograph was taken, if I’m not wrong, her eyes
Reflected more than a cameras lens. An energy reaching out
Decades on – a fragile being, aware of her mortality
Knowing she’ll soon be gone.

Smiling, I'm enjoying alternating shades of light and dark
Finding depth beyond a perfect face, colour beyond
Black and white, happy that words can endure death
Making more than fitting epitaphs – they tell a story.

It’s through her words the beat goes on, she herself
Has gone but if eyes are indeed the gateway to a soul
I wasn’t wrong. Turning the final page I also offer words
Hoping she’s found the peace that she deserved.

Rear View

All I had to do was subtly glance behind me
A surreptitious rolling of the eyes
To see you there, sitting in my present
Yet somehow belonging to the past

I wanted to see if I still found you beautiful
Traced the familiar contours of your face
A numbing sadness tugging at my heart
Feelings from another time and place

I heard your voice in the here and now
Felt your presence just behind
Not something I had to recreate
From the forbidden corners of my mind

Wishing I could say I hadn’t felt the yearning
A desperate desire to re-connect
Resolutely I drove on through gaps of silence
Always one to humbly genuflect

With trepidation I felt the old fires burning
Of the love you’d chosen to reject
I’ve often tried but there’s no going back
No dressing the wounds of your neglect

Wisdom’s lines trace the pain of learning
Framing the damage that’s been done
I pull away with no thoughts of turning
No more rear-view glances at “the one”

Comprehensive Indeed

Lined up like wide-eyed frightened meerkats we await the verdict
Delivered from sneering faces of contempt part hidden by big brother

(And there’s always the guardian angel-rock-ape that waits outside the gate
Of this hellhole, after school, the ultimate tattooed guarantor)

Fingers pointing they progress slowly down the line
A single phrase, a word, mark of the beast conferred:

“He’s a poof, he’s a poof, he’s a poof, he’s alright, he’s a poof”

Said with an amazingly dispassionate contempt
And now for the less fortunate it starts:
Bullying, shoving, sneering, name-calling
And those endless portent laden threats

I’ll get you after school
I’m going to kick your fucking head in
Give us a sweet you poof (always “you poof”)
As if they even know the meaning of the word

Powerless teachers often fare no better
Pale timid mediators that our tormentors know
Can’t be everywhere
Can’t be outside the gates
Where their spineless jurisdiction ends
On the sprawling estate

I swear there are vines hanging from the lampposts
To help the rock apes swing their way to school

My punishable crimes: A briefcase not rucksack
No standard issue Doc Marten boots (in brown or black)

The branded gather in clusters at playtime
Frightened little penguins, bewildered, scared, lost
When the bell goes the buildings spill their stomachs
From the upper floors looking like a swarm
An eruption of scurrying
Faceless ants

ii The Tools of the trade

The shove
Safety in numbers
A Big brother or two
And (preferably) a rock ape for extra immunity
A cover all insult
“You poof”

A flexible threat
“I’ll get you after school”

(Effective even if you don’t follow through)

The threat produces a sick sinking-stomach feeling
Making the victim recipient sweat for hours, fart with fear

The realisation of the portent:
“I’ll kick your fucking head in, you poof”

iii How to be left alone

Obey the law of the jungle!
A hapless victim will be selected for you
Unwilling gladiators we form up
Before the bully overlord and his gang
For their delectation and delight
I can see his sneering face
He knows you’re a spineless shit
More afraid of him by far

The bully cook book recipe:
A pinch of Insults lightly stirred
A seasoning of shoving
Lots of “you poof” for a fuller flavour
Then get kicking!
A Doc Marten to the shins
Or windmill punches to the crying reddened face
You’re learning fast!

A revolting piping hot dish will soon be served
Blood spattered, for good old bully, already salivating
At the prospect of the feast

Show no mercy under any circumstances
The more your overlord grins the better you’re kicking the shins

Don’t forget when they go down a kick to the nuts
The victim is a “poof” anyway, they won’t need them!

Iv The day that friendship died

My dear childhood friend:

If it makes it any easier for you
Forgiving myself gets harder with time
I wish I could make amends
Turn back the clock and stand up for you
Your crimes: polished enunciation
Parents interested in your education

I can see the bullies surrounding you
Laughing, linking arms, forming a tight ring
Framing your frightened face, bed sheet white with fear
I can hear the chanting begin

“Kill the poof, kill the poof, kill the poof”

On a given signal the dance begins
Like a macabre vicious can-can
Doc Marten’s in unison, to the shin, to the groin

Every time you try to fall
They grab your collar
Hold it tight, kicking
Forcing you upright

Game over the suddenly disinterested circle brakes apart
To reveal your face racked with tears and pain as you stagger
Trying to walk, shooting a look at your cowardly “friend”
That says quite simply the friendship ends

I’m sorry

Wish I’d had a spine back then.

V Music teacher

I can see and hear you today
Clear as a bell in my memory
You had a beautiful voice
Long, lustrous blonde hair

And I can see your red face
Unwilling tears starting to form
Behind thick black rimmed NHS glasses
No interest in classic arias here

The boys at the back won’t listen
They’re too busy picking the next victim
Planning today’s playground torment
They merely jeer and barrack you

It is with great sadness I hear the news
A few years later
The throat that sang arias
The rope you used to hang yourself

Vi Comprehensive

“Here I sit bored as hell waiting for the bloody bell”

I will always remember that tribute
Deeply scratched into the wooden table top

Like a pale brown scar cut with a penknife, sutured by splinters
A mute verdict on algebra, geometry, Pythagoras Theory
A hundred things we’ve never had cause to use since

Five long, draining years coming to an end
Unbelievably they’ve put out squash, cakes and biscuits
To see us on our way, trying to create an informal party hat atmosphere
A fitting send off from the 1960’s build penal colony

We disaffected stand sullenly, shifting our weight
From boot to boot when a lone digestive is thrown
The air suddenly sports a display of cake
It’s a riot out of control!

The headmaster is called
And he bursts through the double doors
Mortarboard and black grim-reaper cape
Billowing in the wind of his assumed authority
A superhero like Batman arrived to save the day

We all pelt him, the mortarboard’s knocked off
Rolls impotently on the floor like a chastened dog
A trail of cream and jam adorn his high forehead, spatter his hair
He retreats the scene with undue haste

Then it’s over and we leave, just ebb away, like a retreating oil slick
No thought of a backward glance at the grey prison
Nowadays dying of concrete cancer, what a bloody waste

Vii A legacy

And there you still stand
Ofsted special measures
Re-branded Art College
Failure

I still bleed from your stigmata
Curse you when I drive past
Through the jungle-vine estate
Realising I’m scarred just like the table top

Mark Harris has asserted his right under
Section 77 of the Copyright, Designs and Patents Act 1988
To be identified as the author of this work.

Sunday, 10 March 2013

Update w/c 10/03/13

Well, its been a bit of a funny old time on the poetry front not helped by flu and study commitments! However, I'm now well on the mend and bubbling over with ideas and keen to keep the new work coming! To that end I thought I'd share a couple of pieces from the current project entitled "Circles". The name is no accident - do we not travel in Circles going back to where we've been - re-assessing the decisions we made, the people we interacted with, the feelings we had and perhaps trying to re-create them, re-enact them? Maybe we're looking to re-live a situation with a different outcome?
The theme of circles goes deeper - yin and yang - the circle of life - the unbroken ring  - eternity......

If I look too deeply - it's the way things are and I won't change any time soon. For me my work must ask questions primarily of myself but we all struggle with the same universal issues at one level or another at some point in our lives. If I'm wrong well - tell me so - I'd welcome your comments and thoughts on the matter.....


Aphelion

I‘m clutching at receding shadows
Reaching back through time
To the years that passed
In a loving procession 

Genuflecting to a fleeting moment
When I freeze-framed your beauty
And hope shone within me
Like a palindrome of the sun

I can no longer feel our song
It’s insufficient to hear it
So I listen over and over
In willing supplication

Searching for you
Until my ears ache
Until my heart pounds
And my thoughts derail

I’m trying to experience you
To break through the eclipse
In the core of my being
And let the light flood in

To see your face in my mind
Recreate your touch
On a warm summer’s day
When love was the game I played

A half forgotten feeling remains
Locked in the vault of my heart
Awaiting authentication
Like a fake antique painting

Masquerading as a grand master
I willingly commune with the past
That surrounds me, unaccountable
Like an unfinished symphony

Your picture becomes memories
From the abyssal plane
So real I can taste them
In bland consolation

I’ll win you some day, over the rainbow
Petition the silence until you repent
And admit you were swayed
In that prefect sunlit moment


Zeitgeist

Forgive me goddess my human frailty
As I kneel before the feet
That once graced a marble plinth

I’m responsible for placing you here
Beyond the soiling finger prints
Of supplicant desire

I whitened you until you outshone
The feeble midday sun
But you failed to bless me with increase

Instead visiting my base soul
With a secular disease
And I ceased to be a believer

Now I return to the shell
My shallowness has left
And cry out your name

Knowing the bridges have been burned
And your immortal back is turned
So I bring no gifts or sacrifice
 
I approach this sad and ruined place
With a new reverence for the divine
Amid fading memories of your face


Now, the fun thing here is the first poem above starts with 'A' and the second 'Z' so there's a whole world in between...


Ring Cycle

The more things change
The more they’re the same
Perfecting the circle
An unbroken ring
Round to the start
Back to the end
Out of the frying pan
Into the fire
Disconnecting
Leaving a hole
Nothing there
Simply a hole
Nothing at all
Where it should be
You’ve asked the question
Asked what it is
Had the round conversation
Studied the ring
A circular system
The depth of the void
The answer lying
In the centre of things
A rotating ring cycle
An eternal wheel
Devoid of substance
Devoutly believing
What the answer can’t be


Some of the world inbetween is dark and some light so I'll finish with a bit of fun.....


Dreaming

If I kiss times full lips
And venerate the stars
Will I get to row my goddess
Down the red canals of Mars? 

If I win Saturn’s glowing rings
Place them on her slender fingers
Can I get walk her 
Round the gardens of the sun? 

Will we dance together
To the music of the spheres
Riding on our moonbeams
‘Till morning light appears?

Will the polar caps of planets
Be pillows for our heads
Or should I stop my dreaming
And live reality instead?

I'm looking forwards to giving birth to Circles.......

Well, that's if for the moment I look forwards to meeting you at another poetry event soon

Keep looking on the connections to Colchester Poetry for local events!

Until then.......

Warmest regards
Mark


Mark Harris has asserted his right under
Section 77 of the Copyright, Designs and Patents Act 1988
To be identified as the author of this work.


Tuesday, 29 January 2013

W/C Sunday 27th Jan

Had a very enjoyable couple of hours at the Sunday Matinee at Firstsite Colchester on the 27th which saw a wide variety of talent on display. I was first up and did the same set as the recent Open Mike as studying and a loss of I.T. for a few days mitigated against putting a new set together. However on the plus side not everyone had heard it before! The "Circles" project is progressing well and there will be some new material to share soon. This will be a quick in and out sort of post as I really ought to have my head buried in a book right now. However, I can't resist sharing an Emily Dickinson poem in the Gothic style number "410" from the year 1862.....

The first Day's Night had come -
And grateful that a thing
So terrible - had been endured -
I told my soul to sing -

She said her strings were snapt -
Her Bow - to atoms blown -
And so to mend her - gave me work
Until another morn

And then - A day as huge
As yesterdays in pairs,
Unrolled its horror in my face -
Until it blocked my eyes -

My Brain - begun to laugh
I mumbled - like a fool
And tho' tis years ago - that Day -
My brain keeps giggling - still.

And somthing's odd - within -
That person that I was -
And this One - do not feel the same -
Could it be Madness - this?

---------------------------------

I love the enigmatic quality of Emily's work, a great influence on me

Well that's the mini update over, hope to see you at a Poetry meet soon.





Sunday, 13 January 2013

W/C 13th January 2013

Welcome to the first post of 2013 and it's been a busy week. Firstly there was the January meeting of Colchester Poetry on Tuesday the 8th and very enjoyable it was too. The themes of 'Berbatov' and 'Scavenger' brought forth some interesting work from all concerned. My own submission on the 'scavenger' theme will follow shortly.

Last night, 12th January, saw Colchester Poetry's first open mike of the year including poetry performances from Jonathan King, Jason McLean, Belinda Colaianni-Federl, SteveOvel, Steve Lawton and the 'Wingless Heron' ensemble of Tess Gardner, Phil Mill and Joe Elliot-Purtell, plus music from Alex Yandle, and performances from Modal Roberts and Mouth amongst others. Colchester has wealth of acts out there, so if you weren't there that's a flavour of what you missed, don't miss the next one! Follow via my Facebook friends for links to Colchester Poetry and the various performers and acts concerned to know more about them.

I've added a new page 'Minutiae' with extracts from the first collection of poems dating from early 2010. The collection is subtitled "the poetry of the first half of  a life" and tackles many thorny issues close to my heart. As ever I hope you like the poems.....

Now its time for the scavenging submission from Tuesday.....


Hyena

I pick the bones of my elysian fields
As clock hands work their way around
A sad face marking passing hours
Spent scavenging your memory

From pictures that besotted me
I pull ragged little bits of love
All night through my longing plays
Like an insular game of lone charades

A dark sarcophagus held your heart
I tried to crack its outer shell
And win your shining x-ray smile
With futile hopes that lie exposed

You left in such indecent haste
Now burning questions sting my lips
As I lick this poisoned chalice clean
Savouring its strange metallic taste

At the end of the path that leads nowhere
All the answers to the riddle writhe 
Within me, myself and I, like a splendid carrion
Served nightly in a thin membrane of dreams

Mark Harris has asserted his right under
Section 77 of the Copyright, Designs and Patents Act 1988
To be identified as the author of this work.